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    • THE REAL SURREAL PART 1: New Paintings by Shneider Léon Hilaire
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CAVIN-MORRIS GALLERY

  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Past Exhibitions
    • THE REAL SURREAL PART 1: New Paintings by Shneider Léon Hilaire
    • Spotlight: New Work by Auguste Elder
  • Artists
    • Self-Taught (A-L)
    • Self-Taught (M-Z)
    • Contemporary
    • Ceramicists (A-L)
    • Ceramicists (M-Z)
  • Publications
    • Catalogs
    • Books
  • Fairs
  • Appraisals
  • Fieldnotes
  • Accessibility
  • New Arrivals
  • Contact
View fullsize   Auguste Elder  Canteen #4   Wood-fired stoneware 6.75 x 6 x 1.5 inches 17.1 x 15.2 x 3.8 cm AuE 3
View fullsize   Auguste Elder  Canteen  , 2018 Wood-fired stoneware 14.5 x 13.5 x 3 inches 36.8 x 34.3 x 7.6 cm AuE 16
View fullsize   Auguste Elder  Chawan  , 2019 Wood-fired stoneware 3.5 x 4 x 4.25 inches 8.9 x 10.2 x 10.8 cm AuE 18
View fullsize   Auguste Elder  Tokkuri  , 2015 Wood-fired stoneware 4.5 x 3 x 3 inches 11.4 x 7.6 x 7.6 cm AuE 19
View fullsize   Auguste Elder  Ochoko IV  , 2021 Wood-fired stoneware 1.5 x 2 x 2 inches 3.8 x 5.1 x 5.1 cm AuE 24


Auguste Elder is a contemporary ceramic artist whose work blends traditional craftsmanship with a deeply conceptual approach to form, texture, and narrative. Born in 1970 in New York City, Elder’s artistic journey is rooted in a diverse cultural background and an early fascination with the interplay between material and meaning. Elder initially pursued studies in fine art and philosophy, having studied pottery independently in Philadelphia, New York, and Paris. His academic foundation instilled a reflective and analytical dimension to his creative practice. He later immersed himself in the world of ceramics, drawn to its tactile nature and the rich history of the medium.

Elder’s work is characterized by its exploration of identity, memory, and the passage of time. His forms often blur the boundaries between sculpture and functional pottery, incorporating organic shapes and textured surfaces that evoke both the natural world and abstract symbolism. Through a nuanced use of glazes and firing techniques, Elder creates surfaces that appear weathered, as though imbued with a sense of history and narrative. Since the early 2000s, Elder’s ceramics have been exhibited in solo and group exhibitions across the United States and internationally. His pieces have garnered acclaim for their emotional depth and technical mastery, earning him a dedicated following among collectors and institutions alike.

Elder is also a committed educator and advocate for the ceramic arts. He has taught workshops and mentored emerging artists, emphasizing the importance of storytelling and experimentation in ceramic practice. His work challenges traditional notions of utility and aesthetics, inviting viewers to engage with ceramics as a medium for conceptual and cultural dialogue. Currently based in Brooklyn, New York, Auguste Elder continues to push the boundaries of contemporary ceramics. His art is a testament to the enduring power of clay as a medium for personal expression and societal reflection, securing his place as a leading voice in the field.

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