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    • THE REAL SURREAL PART 1: New Paintings by Shneider Léon Hilaire
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CAVIN-MORRIS GALLERY

  • Exhibitions
    • Current Exhibitions
    • Upcoming Exhibitions
    • Past Exhibitions
    • THE REAL SURREAL PART 1: New Paintings by Shneider Léon Hilaire
    • Spotlight: New Work by Auguste Elder
  • Artists
    • Self-Taught (A-L)
    • Self-Taught (M-Z)
    • Contemporary
    • Ceramicists (A-L)
    • Ceramicists (M-Z)
  • Publications
    • Catalogs
    • Books
  • Fairs
  • Appraisals
  • Fieldnotes
  • Accessibility
  • New Arrivals
  • Contact
View fullsize   Sandy Lockwood    Tanami 1, Long Form   Woodfired Porcelain 21 x 7 x 5 inches 53.3 x 17.8 x 12.7 cm SAL 11
View fullsize   Sandy Lockwood    Chawan  , 2012 Woodfired and saltglazed porcelain 3 x 5 inches  /  7.6 x 12.7 cm  /  SaL 21
View fullsize   Sandy Lockwood    The Keep Series  , 2008 Woodfired, salt glazed  12.75 x 4.25 x 4.25 inches  /  32.4 x 10.8 x 10.8 cm  /  SAL 2
View fullsize   Sandy Lockwood    Six Vessels on Stand (Set of 6 with 6 Stands)  , 2011 Woodfired and salt glazed ceramic SAL 20
View fullsize   Sandy Lockwood  Earth Series   Woodfired and salt glazed ceramic 6 x 9 x 7 inches 15.2 x 22.9 x 17.8 cm SAL 17
View fullsize   Sandy Lockwood  Subduction Series  , 2016-2019 Stoneware and inclusions 9 x 9 x 9 inches 22.9 x 22.9 x 22.9 cm SaL 23
View fullsize   Sandy Lockwood  Subduction Series  , 2016-2019 Stoneware and inclusions 7 x 7 x 6.5 inches 17.8 x 17.8 x 16.5 cm SaL 24
View fullsize   Sandy Lockwood  Gleaning Series  , 2016-2019 Stoneware and inclusions 12 x 12 x 3 inches 30.5 x 30.5 x 7.6 cm SaL 25
View fullsize   Sandy Lockwood  Fish Box Series  , 2016-2019 Stoneware and inclusions 7 x 8 x 7.5 inches 17.8 x 20.3 x 19.1 cm SaL 26
View fullsize   Sandy Lockwood  Fish Box Series  , 2016-2019 Stoneware and inclusions 8.5 x 6.25 x 6 inches 21.6 x 15.9 x 15.2 cm SaL 27
View fullsize   Sandy Lockwood  Bridge and Nine  , 2008 Woodfired, saltglazed 4.75 x 3.75 x 38.5 inches 12.1 x 9.5 x 97.8 cm SAL 4

Sandy Lockwood was immediately attracted to the raw and tactile experience of working with clay. In 1975, She started working in a production studio and eventually continued her training at East Sydney Technical College. She works in wood fired lsaltglazed ceramics in the Southern Highlands. Her work draws the parallels between the flow and weathering of nature and the process of wood firing and salt glazing. The vessel become a testament to the movement and stillness of the natural world through the firing process. Since 1980, She has been a full time artist and part time teacher. She has taught workshops and exhibited work across the globe.

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